The Footprint of the Past

The Footprint of the Past

When I first moved to New Orleans, my soon-to-be husband and I would visit restaurants in the West End area of the city near the Lakefront. West End is a man-made rectangle of land on the shore of Lake Pontchartrain. Back then, it boasted of such culinary establishments as Brunings, The Bounty, and Fitzgerald’s, as well as many others. After we were married and our first son had just been born, I would wait out in the car with the baby while my husband ran into Fitzgerald’s to take out a seafood platter for us to split back home. And I have to tell you, it was quite a treat.

But once we moved away from the city and Hurricane Katrina hit, all of those restaurants were gone, and to this day, none are rebuilt in that area. I often see people online in New Orleans groups saying, “Remember those restaurants at West End!”

Across the street from them, around a series of boathouses, was a park, just a walking park filled with trees and benches here and there. Well, in digging around the past for my novel, The Alchemist’s Bride, I discovered there used to once be much more. In the late 1800s and early 1900s, there was a popular amusement park in that very spot often called the “Coney Island of New Orleans.” It was filled with rides, hotels, restaurants, and a boardwalk. But there is not a trace of it anymore, except that sedate walking park. To this day, many people don’t even realize that it ever existed.

And with all of this, there is one more thing. Between West End and Pontchartrain Boulevards, there is a broad, long, well-landscaped neutral ground now filled with trees, grass, and sidewalks. On a hill near its center is a Celtic cross. In my time in New Orleans, we would often pass that cross, wondering why it was there. Once I found out about West End Amusement Park, I also found out there was once a great canal in that very spot called the New Basin Canal. It was a shipping canal built with the intent of connecting Lake Pontchartrain through the swamp land to the uptown section of the city. In 1831, Irish immigrants were brought into the city as cheap labor for this project. An estimation of 8000 of these laborers died during its construction, many from yellow fever and cholera, working in the swamp water to build the canal. And this enigmatic Celtic cross commemorates that loss of life. But so many don’t know this history, unless you dig to find it. And as a result, that cross stands silent and mysterious to most.

I suppose the point is that there is a precariousness in forgetting and even suppressing history, distorting facts. It so important to remember the good and the bad so that it can always serve to illuminate our steps in the future.

The Dance – The Short Story

Why do I write short stories?

While in the midst of deep edits for my long-form novel, The Alchemist’s Bride, I am at the same time completing another short story collection of paranormal stories centered in the Ouachita Mountain region. And the fact that I seemed to be pulled back time and time again to the short story format made me wonder exactly why that is.

“In a rough way, the short story writer is to the novelist as a cabinetmaker is to a house carpenter.” -Annie Proulx

“Find the key emotion; this may be all you need know to find your short story.” – F. Scott Fitzgerald

“I’ll give you the whole secret to short story writing. Here it is. Rule 1: Write stories that please yourself. There is no Rule 2.” – O. Henry

If you look up quotes about the short story, undoubtedly you will get a thousand different perspectives, and not so surprising some completely contradictory. Perspective, Perspective, Perspective!

Personally, I began my dance with short story writing many eons ago. Actually, my first dive into the literary genre was in high school. I was out of school for some weeks with a nasty case of the shingles when I decided to pick up my pen. I crafted a rather long, winding sci-fi/detective tale using my closest schoolmates as characters, something that will never see the light of day again.

After that, it was some years later that I wrote my first story collection, Breaking Through the Pale, then Dragonflies came next, and so on. And interestingly each collection I crafted came between the writing of several novels, as though I had to shift gears a bit. The truth is that some of my novels came directly from short stories. The novel The Broken Vow was a sequel to the short story entitled “Wolves.” The book I’m working on now, The Alchemist’s Bride, is a prequel and inspired by characters created in a short story called “Emma Fallon.” And I am also developing a full-length sequel to a short story called “The Wizard.”

So, the literary genres do intertwine and overlap, at least in my experience. For me, I find short story writing to be a field of experimentation. Sometimes it’s a brief glimpse of someone’s life. At other times, it’s a deep dive into a character moment, perhaps a pivotal juncture or decision in a life. It can be so many different things, just like the quotes above. But it’s always refreshing, unpredictable, and a lovely place to fly home to.